And next week is the last class of the session, so be sure to get registered for the next session starting in January.ġ6 bar blues (1) 4keyharps (1) Aaron Willis (1) accompaniment (13) Account To Me (1) Adam Gussow (9) Aki Kumar (2) Al Miller (1) Albert King (4) Allman Brothers Band (1) Amanda Taylor (1) Amanda's Rollercoaster (3) Amazing Slow Downer (3) Amos Milburn (2) amplifiers (2) Amy Brat (1) Andrew Diehl (2) Andy Willis (1) Ann Cole (1) Annie Raines (1) Arlo Leach (1) Arnd Hoffmann (1) ATracker (1) Audio Stretch (3) Azul de Noce (1) Baby Doll (2) Bad Brad Rodger (1) badassharmonica (3) Barrelhouse Chuck (1) Bart Leczycki (1) Bau Graves (1) Bean Blossom Harmonica Festival (1) Bela Fleck and the Flecktones (1) bending (1) Bharath Rajakumar (1) Big Alex Cuevas (2) Big Bill Broonzy (1) Big Jay McNeely (1) Big Jim Themelis (2) Big Walter Horton (2) Bill Lupkin (1) Bill Morris (1) Bill's Blues Bar (2) Billy Boy Arnold (10) Billy Branch (3) Billy Flynn (7) Biotene (1) blow bending (1) Blue Bella Records (1) Blue Carnegie (2) Blue Midnight (1) Blue Star Connection (1) blue-x-lab (1) Blues All Day Long (1) Blues Before Sunrise (1) Blues Blast Magazine (1) Blues Harmonica Performance Class (1) Blues Harp Tracks (1) Blues Music Awards (3) blues scale (2) Blues With a Feeling (3) (2) Bo Diddley (2) Bob Corritore (6) Bob Kessler (7) Bobby Blue Bland (1) boogaloo (2) boogie (1) boogie woogie (1) Booker T.and the MGs (1) Boris Hartl (1) Born In Chicago (2) Bounce Metronome (2) box shuffle (1) Brandon Bailey (4) breathing (1) Brendan Power (2) Brown's Mule (1) Bruce Arnold (1) Bruce Iglauer (1) Buckeye Harmonica Fest (3) Bud Boblink (1) Buddy Greene (5) Buddy Guy (1) Buddy Guy's Legends (2) Cajun Harmonica (2) Call It Stormy Monday (4) Can't Hold Out Much Longer (1) Cara Cooke (1) Careless Love (2) Carey Bell (3) Cha Cha Cha (1) Champion Jack Dupree (1) Charlie Musselwhite (2) Chess Records (1) Chicago Beau (1) Chicago Blues Fest (3) Chicago Blues Festival (2) Chicago Blues Harp Bash (42) Chicago Harmonica Meetup (3) chordal effects (1) Chris Barber (1) Chris Bouchillon (1) chromatic (3) Clarence Gatemouth Brown (1) Clay Kirkland (2) Coonley Elementary (1) Corky Siegel (3) Cornell Dupree (2) Cristian Inostroza (2) Cross Road Blues (1) Crosscut Saw (4) Curtis Salgado (2) D.Next week is the deadline for anyone submitting an entry in Joe's Skip To My Lou contest.Final Take - we'll record again in the Performance Class next week.These techniques are the basis for accompaniment playing, so be sure to familiarize yourself with them. Joe also shared his Level 1-3 technique list, which is appropriate to all of us as we continue to discuss accompaniment. And perhaps more convincing, in Joe's mind, is that it is a valuable piece of your set to vary your sound by playing on the vocal mic some. So the vocal mic is a ready replacement if there's technical trouble. Joe also made the point that everyone should learn to feel comfortable playing on the vocal mic this way, even if your preference is playing amplified. Sure, it has the drawback of hampering your dance moves, but the trade-off is great tone. This gives you both hands as well as your head tone to work with. This does not sound great and has a very high probability that you will shred people's ears and just not come off looking or sounding like a pro.įar better to work at your hand technique at the vocal mic with it mounted. What does he NOT recommend? Lifting it from the stand and hand-holding it. We had a little harp amp trouble in class last night, which led to people needing to play on the vocal mic and after performances, Joe spent some time doing review of the best way to approach the vocal mic as a harp player.
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